Hidden Treasures

I talk to other writers and read other writer’s blogs about writing and revision/editing. Everyone seems to say that writing your first draft is the easy part and that editing is where the real work starts. I do not disagree. My police procedural, The .9 mm Solution, is being completely restructured while my dark comic Transgressive fiction, Weekend Getaways, or Adventures in Contract Killing, is getting expanded into even weirder extremes.

It is tedious and detailed work. It requires an almost re-thinking of the project, attempting to separate yourself from the original impulse that caused you to start writing the piece while at the same time not lose the spark of that impulse. Frustration can lead to satisfaction.

What I am finding as I delve into each of these disparate pieces is that there are hidden treasures, sections of description, turns of phrase, foreshadowing, interesting characters or locations. I am finding aspects of my writing that were not there five years ago, much less in my formative years. Experience in life and practice of craft do yield positive results.

Yes, the actual work of editing and revision is still fraught with fright and requires the ultimate in patience and concentration. But if we look in closer, avoid for a moment “The Bigger Picture”, those hidden treasures are our rewards and the signposts toward the completion of our work.

It’s like a jigsaw puzzle…

I’ve been working on a police procedural entitled “The .9 mm Solution” from an idea inspired by discussions with my brother-in-law. He has some straight-forward ideas about law enforcement and the penal system. So, I formed them into an idea for NaNoWriMo in 2009. I’ve been working on various drafts since then.

I think I get it down to something workable and entertaining and figure it might be the traditional type piece that could secure an agent. During a KWA meeting last year, I read the first chapter in a small workshop. Gordon Kessler, one of the founders of KWA and the current president this year, made some comments causing me to revise that first chapter. I saw him again at the KWA Scene conference, passed on to him fifty pages (along with the revised first chapter) and waited.

THIS is why we need feedback. We CANNOT work in a vacuum.

I got back the binder at a KWA monthly meeting and when I got home I didn’t see any notes until about page 20 or so. “This is where the story starts.” I’ve always read that in blogs and in Writer’s Digest articles, etc. What you think is your beginning is not; it’s the prelude to your beginning. And love it as you might, you’ve got to chuck it. Start where the starting is good.

Along with that, I realized that I needed to change the focus and center of attention and restructure it completely.

So…

It’s like a jigsaw puzzle where you pull the pieces apart, keep what fits and find new pieces to fit the old pieces. As long as you still are in love with your story, the heart of it, the sense of it, then it makes sense to keep going.

I’m still looking for the new pieces. I’ll let you know when I find them.

The value of paper

We live in a digital age. There is no avoiding that. We have our computers and our external hard drives and our thumb drives and there is e-publishing coming up fast to challenge traditional publishing…

I’m breathless. I still remember my “portable” Smith-Carona typewriter. As heavy as a bowling ball. Heavy keys creating strong fingers (and perhaps a pre-cursor to carpal tunnel syndrome.) Was it why I became a two-fingered hunt-and-peck typist?

Ahh, but when it comes to editing and revision, there is still nothing better than paper. I recently printed out the most recent version of my transgressive novel Weekend Getaways, or Adventures in Contract Killing. I had made some significant changes and additions. Since typography is a major component of the work, I knew that I had to SEE it in its totality, page after page, and not merely scrolled down through a static computer screen.

The primary method for determining where it stands at this moment in time is to read it as I would a book. Not an e-reader. It has to pass THAT test first. Its uniqueness lies in the typography and the almost disjointed narrative and the inclusion of side pieces and commentaries (akin to Melville’s passages on whaling in “Moby Dick”).

So, after all the digitizing, I’m back to good old-fashioned paper. Of course, it’s an HP Photosmart printer but it’s still paper.

Thank goodness that some things never change.

A Desire to Write; A Need to Revise

I can’t help it. I have an over-abundant and over-indulgent imagination. I look and see things and imagine and re-imagine them. New items are fodder for crime stories. Novels by favorite authors are jumping off points. Colors of one item coordinate with shapes of a completely different item. I want to create something all the time.

I almost feel like I’m in my twenties again.

Then, the guy who is about to turn forty-nine says “Hold on a minute! Take a good look at ALL of your files. The ones on the computer AND the old papers from twenty plus years ago.” And I start to have an argument with that guy, only because I hope he’ll cut me some slack and let me get around to creating new worlds and developing new characters to send down interesting roads.

But he wins. I look back at my blog entry and the paper I typed at the beginning of January with my 2011 Writing Goals. The Edit column has more entries than the Complete column. I had already stated to myself that this was going to be a year of perfecting the craft and not starting new projects.

But it’s hard in the same way that you are not supposed to eat a favorite item after starting a new diet. How can you possibly give up a favorite food simply to accomplish a healthy lifestyle goal? I realize that a fertile and creative mind does not have to “go to waste” on revision and editing. I realize you need as much if not more of your creative self but more formally balanced by your intellectual guiding forces.

And so, I turn back to “old friends” and become re-acquainted. The new friends will just have to wait.

Choice

As a writer, do you choose what to write or does it choose you? There is a possibility that both can happen.

Of my two works in progress, I came up with the first line to my dark comic transgressive piece, Weekend Getaways, or Adventures in Contract Killing, simply out of the blue.

“I never gave much thought to killing people, outside of the usual.”

There was no character or plot or theme. It was simply a line. A greeting, if you will, to a new friend who I have had to get to know over a long period of time.

On the other hand, my procedural, The .9 mm Solution, was developed over a long period of time by discussions with my brother-in-law who had some unique perspectives on the justice system which seemed to coincide with my theories on the penal system. Between the two of us, conversion at various family gatherings, the story took form. Yes, as with all revisions, it has evolved. But there was at least a conscious effort involved.

So, as a writer, do you choose or are you chosen?

Validation

One of my Works in Progress is Weekend Getaways, or Adventures in Contract Killing. It is a dark comic piece of Transgressive fiction that tells the story of an unnamed forty-something man who no longer finds fascination with the trappings of modern life. Upon meeting an unusual older man, he embarks upon a new avocation of contract killing.

Thematically and stylistically, it has echoes of other contemporary Transgressive writers like Bret Easton Ellis and Chuck Palahniuk. But it employs unique typography and is designed to be as much of a visual assault as a literary one. I’ve been working on it quite a bit, expanding it, fleshing out the themes, and, well, making it even “crazier” than when I started.

I’ve always felt it would be a tough sell, especially as a new unpublished writer. (Although Jessica Regel of the Jean V Nagger Agency did give me a 4-week read on the first three chapters.) Nevertheless, I keep plugging away at it because it is both a challenging and rewarding piece and then I work on a more standard police procedural Work in Progress.

In my efforts to absorb more of the Transgressive style and intent, I bought Irvine Welsh’s Trash. He is the writer of Trainspotting but I decided to start with this (to me) unknown book first.

Excuse the cliché but…Lo and Behold! Unique typography. A parasite living in the main character’s body is represented on the page covering up whole portions of the text. A chapter, written from the wife’s perspective, in boldface with a different font. The language entirely in Scots dialect.

Wow!

Now I am NO Irvine Welsh, that is for sure. However, good writing trumps all and there ARE publishers and agents out there who understand, accept, and appreciate the genre. Yes, I will still work on the police procedural. BUT I am plowing forth with my Transgressive work.

What’s in your mind?

I read somewhere that Bram Stoker wrote “Dracula” due to his unhappy marriage. He was attempting to create a powerful romantic hero (or anti-hero) that was the opposite of his personality. Psychiatrists refer to this as “sublimation.”

For better or worse, writers sublimate aspects of their personality into their writing. Fantasies or delusions that would never see the light of day in the real world. Hopes and aspirations that seem unattainable. We can read all the books on craft, go to all the seminars and conferences that we can attend and we still wind up being intricate human and emotional creatures.

For the past six years or so, I have been writing more crime fiction and have dabbled extensively into Transgressive Fiction. And I know why. I have been in the customer service field for about thirty years, the last fourteen in a call center. These are perfect venues for the consumer to have a feeling of anonymous control over a representative or an entire company. This is a delusion. For all the venom that they exude, the company still maintains control and the representative has the power (but not the legal ability) to completely jack with their account.

Now, see, you got me started. You found out what’s in my mind. It got no better when I was terminated from my previous position after thirteen years over ONE customer service complaint. The sense of loss was profound; the sense of anger ran deeper. I set about writing a set of three Transgressive novellas, the likes of which were far darker than any other piece of crime fiction I had written or contemplated.

But, by doing so, I was able to release an awful lot of negative feeling and re-focus on what needed to happen in Real Life in order to survive. My wife, who is also my editor, recognized this but understood.

The pieces were published as collection on Lulu as Unemployed and Dangerous: A Trilogy of Transgressive Novellas. Recently, I made each of the individual works available as ebooks on Smashwords. They include:

Malfeasance
Day-Trippin’
The Ballad of Justin Thieme

There will always be the craft, the desire to revise and correct and perfect the Word. The plot and theme will come through because of attention to detail in the construction of the story. But beneath all of that, for better or for worse, there is me.

So, what’s in your mind?

{As an additional side note: I have been taking notes for the last ten months for a non-fiction piece about my termination and my dealings with the state regarding unemployment compensation (a success) and the union who would not escalate my case for arbitration. Thoughtful deliberation has guided me toward a non-fiction piece as it might be more publishable and would have a more striking effect than the Transgressive ramblings of a so-called “disgruntled employee.” As I progress, I will update.}

Balance

As I consider the pieces that I have been revising since the beginning of the year, the word “balance” has come to the forefront in my mind for several reasons associated with writing and the literary life.

First, there are the pieces themselves. The .9 mm Solution is a police procedural in which a pair of FBI profilers tries to track a serial killer who is eradicating criminals and other figures who have not been brought to justice. It alternates between the elements of the investigation and “diary entries” in which valid points of view regarding society and the judicial and penal systems are brought into question.

The counterpoint is Weekend Getaways, or Adventures in Contract Killing which is a dark comic transgressive piece about one man’s attempt to better his life after coming through a life change. He meets an older man who introduces him to the fascinating world of contract killing and finds a renewed vigor. But how long will that last?

To go back and forth between these two is actually a relief. The dead serious highly detailed aspects of the procedural contrast against the out-there aspects of the transgressive piece with its colors and fonts to provide a sense of balance in my mind as I revise and edit.

The most obvious sense of balance as most writers are aware involves their “real” life with their “writing” life. Jennifer Neri is a mother and a writer who finds the time to parent, write, AND blog. Lawrence Estrey, beside being a writer, is also a musician and a photographer and is also apparently quite computer literate (if you read certain posts in his blog). From all appearances, they have achieved a balance. It may have been more difficult than how it appears simply in blog entries. But in order to survive as a writer, the concept of balance is paramount above all else.

What ways do you as a writer maintain balance in your lives? Do you wish you could do more writing or have more time to be just a person?

Analogy

This is the first full day of Spring. I am noticing all the flowers and bulbs that my wife has planted poking up through the ground. Even though there are still leaves and twigs around, the possibility of what is to come is inviting. I don’t know what she planted; I’m not sure she knows either. But their emergence will be an invigorating and worthwhile experience.

So, too, is it with writing. Somewhere in a short story, novella, or novel, we have planted SOMETHING. It might have been the possibility of a plot twist or a character quirk worth exploring. When the next season comes along (i.e. the next round of editing and revision) we are surprised at what we find. What WE ourselves have planted.

We clear out the detritus of the first (or second or third) draft to allow the story to grow. What non-writers sometimes have trouble understanding is that our works as writers are living and breathing entities. So many times you can read about writers not knowing where the story is going or a character doing something not originally intended.

We as writers are here to nurture the story and cultivate it until it can exist in its own framework without further assistance from us, except maybe a byline as recognition.

Here in Kansas, we have had an unbelievably hot summer and a winter where we experienced minus 17 degrees (air temp, not wind chill). At our house, we will evaluate our landscaping and see what survived the brutal extremes.

Here, at my computer, I will do the same, seeking out what portions failed to maintain their vibrancy. And I will clean the detritus. And I will cultivate my stories.

And they WILL grow.

Style and Voice

In previous posts earlier this year, I indicated that I would only be working on projects already written and at least in a third draft stage or above. No new projects. Must re-focus and re-evaluate.

When I contemplate those projects, I notice a variety of style and voice. I’m wondering whether I am eclectic (perhaps presumptuous to say) or just haven’t found my voice and style yet (sad to consider).

SWANSONG – Hard-boiled story of a disgraced former Wichita Police detective, run out of town on the proverbial rail, now being forced to return home after his self-imposed exile to investigate the possible disappearance of his younger brother.

WEEKEND GETAWAYS, OR ADVENTURES IN CONTRACT KILLING – A dark comic Transgressive piece in which an unnamed narrator with what seems to be a drab and listless life meets an older gentleman who introduces him to the fascinating world of contract killing.

THE STOOGES – A dark comic crime caper in which three very petty criminals band together to pull of a scheme in order to make some serious money. The first thing they have to figure out is what caper to pull off…and then how to accomplish it.

THE .9 MM SOLUTION — A procedural in which a team of FBI profilers tries to track down a perpetrator who is killing bad people who have avoided criminal prosecution. An underlying sense of social commentary exists in the diary entries of the unknown subject.

So, they all deal with crime but take different paths to achieve the ends of the story. Now my wife (who as you are aware is also my editor) would pass this off to my supposed multiple personalities. I’ll accept that answer. (Obviously I have to. She’s my wife.) However, I also believe that you use different means to accomplish different ends.

As with my other passion, cooking, how you prepare each meal is different in terms of spices and sauces and cooking style. Each meal should come out great (if not exquisitely) and the ends always justify the means. With a meal, however, you only get one shot.

As I proceed through this year of editing and revision, I will take into account the many tools at my disposal and hope that I can use them to the fullest advantage that these stories will require.

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