After the Conference

I said yesterday that the 2013 KWA Scene Conference was like a wedding: Nothing was perfect and everything was beautiful. In the end, you only remember the good things. It will be left to those of us on the KWA board to sort through things, analyze and evaluate.

I truly feel blessed to have had such wonderful and diverse speakers. Stan Finger’s presentation on his book, “Into the Deep”, was completely moving and inspirational. Esper’s discourse on YouTube as a viable platform opened many people’s eyes, almost as much as his work. Roy Wenzl gave sound advise for writers regarding focusing on story and NOT the author. We will look forward to his new book on Father Emil Kapaun. John Jenkinson showed that the author’s voice can be tinged with humor while making a statement.

But there was no doubt that Jenna Blum, the keynote speaker, was our star. With great wit, she challenged those to work hard, as hard as she did through over 100 agent rejections, to bring your stories to life and see them through to being published.

There are so many things that a writing conference can be. There are only a few things that it should be. That is: entertaining, informative, and inspiring. I believe we accomplished that.

KWA Scene Conference – The Complete Writer

Well, here is another “commercial” for our forthcoming Kansas Writers Association Scene Conference.

Nobody told me you weren’t supposed to do videos for these things. We’ll see how much influence they have.

At the very least, enjoy the music by Kevin Macleod.

The Evolution of a Novel – “Swan Song”

Why do writers write? It is the fascination and obsession with the Word. Their connection, their sound, their emotional weight. We are story tellers and we tell our stories with words.

This is the story of “Swan Song”, my debut novel published by Deadly Niche Press. {The Kindle Edition is available at Amazon.com; the print version will be available after the first of the year.}

In 2007, I won a prize in the Adult Poetry Division of the Kansas Writer’s Association’s yearly contest. At the presentation and corresponding reading at Watermark Books in Wichita, KS, I talked with Storme Maynard who told me about a strange thing called NaNoWriMo. All you had to do was write a 50,000 word novel during the month of November. No problem, right?

The stress of the thing was palpable. Writing poetry in Boston in the mid 1990′s was a thought-provoking, emotional, and at times intellectual process. But we took our time until we got it right. This thing was literary insanity. But I finished it; I completed a “book”, such as it was. However, looking over my effort in December was out of the question. The holidays were approaching and I didn’t want my sloppy 50,000 words to depress.

I did work on it. Many times through several years. Eventually I came up with a piece of neo-noir hardboiled fiction that still captures my attention and creates striking images in my mind. Keep in mind that it is still nothing more than a manuscript at this time.

That is until I met Dan Case of AWOC.com. He was a speaker at the KWA Scene Conference in 2012 and a panelist for Pitchapalooza, sponsored by The Book Doctors, David Henry Sterry and Arielle Eckstut. In a what-the-heck kind of moment I decided to pitch my Transgressive novel, Weekend Getaways, or Adventures in Contract Killing. I got an honorable mention for my pitch and some additional people looking in my direction, one of whom was Dan Case.

I ran into him at the OWFI Conference in May. We talked; he said he was interested and so was I. I sent him the manuscript for both. Knowing that the Transgressive piece might be a harder sell, he opted to start with “Swan Song” which has just been released as an e-book.

I am thrilled and pleased and know that the work has just begun. But consider the evolution: writing contest to casual conversation to online writing event to writer’s conference to pitch session to another writer’s conference…

There are those who say that NaNoWriMo is silly and it’s not really about the art and craft of writing. There are those who say that writing conferences are a venue for published novelists to garner attention. There are those who think that an e-book is somehow not a “real” book.

Whoever those people are, I do not agree with them.

Post Conference Blues; Pre Conference Jitters

Last month was the KWA Scene Conference. The Friday night started off with Pitchapalooza. all day Saturday was filled with a vibe and an energy. I came out of it like most people who attended — energized and ready to write, edit, publish, self-publish, network, promote.

And then Real Life set it.

I’m not saying I feel like the rope is slipping through my hands, but I’ve barely made a dent in transcribing my notes from my digital voice recorder and I haven’t gotten started on an edit for an existing piece and a complete outline for two new pieces.

And now, I’ve just determined that my work schedule is NOT changing and I WILL have the opportunity to go to OWFI Conference. Which is barely three weeks away. Which I sill haven’t registered for or gotten a discount rate on a hotel room.

I can hear all the comments now. “What are you waiting for?” “Go online and register.” “Don’t miss out on a good deal.” “You NEED to go.”

It’s the last one that’s the kicker. I think most writers go through a phase which starts with showing your work to mommy and daddy. They, of course, think you’re brilliant and wouldn’t say a word against you. You may have some friends who are not writers who you trust — until they read your work (because, after all, they’re your friends) and you realize you can’t trust their opinion. Spouses will support you. They’ll tell you they’re behind you. That makes for a great relationship but you know you need more.

That’s where writer’s groups and conferences come into play. Agents, editors, publishers, and other book industry people don’t necessarily think you’re brilliant, can be trusted, and give you what you truly want — an In. A foot in the door. A chance. An opportunity.

But they don’t come to you. You’re supposed to go to them.

So after this entry, I am going on to the OWFI site to read about registering. I am going to reserve that hotel room before it goes up (and what struggling writer can afford that?) And I will be as prepared as I can in the short time I have.

Because, the bottom line is I believe in myself.

They don’t tell you about dinner.

It is only two days away from the Kansas Writer’s Association’s Scene Conference. It’s time to think about what it means to be a writer.

I’ve known, ever since first grade when the teacher had us put those ten vocabulary words into ten sentences, that words were a source of fascination. This notwithstanding the extensive library my parents maintained. And, in grade school, high school, college (where my second major behind film-making was creative writing). Training to be a writer.

Going from a “portable” Smith Corona typewriter to a Brother Word Processor. Identifying the hardware and being able to use it. Falling behind the computer generation and then feverishly catching up. Reading and expanding my reading list. Immersion in the Boston Poetry Scene in the early 90′s. Classic Greek and Roman poets and a few Dadaists and Surrealists thrown in for good measure.

Trying to get back to screenwriting while making a home in Kansas. Turning my attention back to the start, back to fiction. Crime fiction. And then discovering Transgressive fiction. Allowing myself to dare to experiment and be different. Or be myself, as the case may be.

Membership in the KWA. Subscription to Writer’s Digest. Teaching myself all the computer skills necessary, still being behind the curve, but catching up slowly. Learning about blogging and websites and creating a platform. My wife got me Ariel Gore’s book “How to Become a Famous Writer Before You’re Dead” and other such books. They’re great. Great insight, fantastic suggestions, good feedback into becoming a better writer and getting published.

And then there is that shake of the head. I’m spitting distance from turning fifty, a married homeowner with a full-time job, and just as many personal responsibilities as artistic desires. I’m not young enough to drop everything and go on an extended book signing/reading tour of colleges in a five state area. I’m not old enough and retired to attend writing conferences on either coast and expand my social and professional networking circle.

I’ve got to go grocery shopping and make dinner and take out the trash and pay bills and show up to work often enough where they do not doubt my sincerity of working there and allow me to keep making a living so I can pay my bills.

The bottom line is that I take everything I read and hear and discuss about writing and becoming a published writer and having a career as a writer with a grain of salt. I’ve got to fit everything that is MY life into an intricate jigsaw puzzle, sometimes daily or weekly or monthly or yearly. Whatever happens to be the priority of the moment.

I squeeze in some reading during two fifteen minute breaks and a half hour lunch. I post a blog when the urge strikes. I check up on the social networking as much as my limited resources allow. And I write when there is some new story to tell or some old story to revise.

And my wife, who is also my editor and biggest supporter, knows that the door open is an invitation and the door closed is a sign of immersion. I try to remind myself of the definition of ‘discipline’ every time I am at my desk in my office and when the laptop is turned on.

I keep reading the sage wisdom of published writers and what worked for them, hoping to come across someone EXACTLY like me. Because anyone else is either older or younger or a different gender or in a different profession or a different state. I haven’t found that person, as you may have guessed. Thankfully, at least for my wife’s sake, there is no one exactly like me. Therefore I am charting my own path.

Now, if you’ll excuse me, I have to go clean up the dishes from tonight’s dinner.

I might switch the pitch!

First of all, thank you to all who commented and provided feedback when I asked “Which Pitch to Pitch?” The overwhelming majority of those comments were to pitch the dark comic Transgressive fiction piece, the one that is probably “unpublishable.”

It appears my passion for this piece emerged while discussing my options. Rather than appearing equal to both, a preference inadvertently showed through.

That’ all right, though, because I was leaning toward it anyway. So, done, right? Hold that thought.

I wanted to have two finished pieces available for this writing conference, didn’t want to put all my literary eggs in one basket, so to speak. I was going to bring both. Weekend Getaways was ostensibly finished, just some cosmetic touches to make the interior with its strange fonts and line spacing stand out and be more appealing. Swansong needed a final edit, some tightening to keep it on track for being a face-paced hard-boiled crime fiction.

As I’m working on Swansong, I’m realizing that I’m really really enjoying it. It started out as a NaNoWriMo piece but had long since passed out of that phase and became defined and developed and, well, tight.

I love both of these children equally. They are stylistically different, deal with different themes, have a somewhat different voice, and show drastically different influences.

Yes, I’m bringing both to the writing conference. But I may make a switch on which pitch to pitch.

My Digital Progress

Here’s a scorecard:

WRITING: I’ve started editing two novels, giving them the full revision treatment. I’ve worked out a synopsis for a new novel based in part on the life of a retired Wichita, KS police detective. I’ve thought about a story line for NaNoWriMo.
On the writing front, pretty abysmal.

PLATFORM: I’ve continued to blog, Facebook, recently signed up for Twitter, stayed abreast of e-publishing options, attended KWA meetings, and am this close to getting a web site set up.

Platform vs. writing. Gotta have something to promote. Gotta have someplace to promote it. Sometimes the efforts are side by side and sometimes one takes a lead in the race while the other catches up.

And in between and all around this carnival is regular good old Life. You know, the full-time job and homeowner thing and the husband. It’s all an incredible magic act, not really juggling, because we are creating an illusion with every hat we wear, a performance of wonder.

I wonder what I’ll do next.

The Lemons-and-Lemonade Analogy

I was recently seeking a freelance gig to do the memoirs of a retired highly decorated Wichita police office. I did my research, put together a proposal, and met with the gentleman in his home for nearly two hours.

He was very hesitant, having never actually sought out the limelight before. This despite the fact that there were numerous newspaper clippings of his exploits meaning that the media sought HIM, certainly indicating that his story is worthwhile. On top of which, true crime stories usually focus on reprehensible criminals and less on heroic members of law enforcement. It would have had a built in hook. But you have to respect a man’s privacy. And I did and graciously thanked him for his time.

This is not to say that I was not disappointed. To think of being able to score a major writing coup AND present the story of this utterly fascinating man — well, it didn’t happen. The fantasy sequence ended right there.

However, many of the stories he told were fascinating, worthy perhaps of a fictional dramatization. I brought that idea to his attention; he was amenable to the idea. On the drive home that night, I began formulating ideas for a novel that could somehow incorporate this man’s life.

I am still working out the concept. I know I have SOMETHING. And even though my primary goals for this year were editing and revision and no new projects, what ARE you supposed to do when something this wonderful jumps in your lap?

Time for some lemonade.

After the Meeting…

It seems I’m not the only one who is “jazzed” after a meeting with other writer’s. This past Saturday was the monthly meeting of the KWA and afterward a secondary meeting of those interested in or members of the new Indie Writers Alliance.

Discussions are profuse and lively and at times stray from pure discussions of writing and the business thereof. Considering it takes a life filled with experiences to be a writer, it is acceptable to deviate.

I find myself taking feverish notes in longhand and hoping that I can read my own handwriting afterwards. I write down websites, email address, brief words and phrases, anything and everything that made an impression for future use, review or research.

And I’m not alone. On the KWA’s Facebook page there were several comments of the same ilk. You see, writers can not work or live or exist in a vacuum. Yes, writing is a solitary craft, a lonely art. But in the end, we write not for ourselves but to put our work “out there.” And it is highly gratifying to read later that the people who I have just shared ideas with feel in essence the same way.

I recall, some sixteen plus years ago, when I was immersed in the Boston poetry scene, talking with a young man in perhaps his early twenties. I asked him who he read. He responded that he didn’t read any other poets so as not to influence his thoughts and mood. I don’t know about you, but the words “Bull” and “Malarkey” come into my mind when I hear such nonsense. We are not islands. We absorb and experience everything that is around us. We can learn from those who came before us, in one fashion or another, whether by assimilating or rebelling. But we definitely can not create outside of the influence of all else.

I relish the opportunities that being a member of a writer’s group have afforded me. And I can’t wait until what might transpire after the NEXT meeting.

Hidden Treasures

I talk to other writers and read other writer’s blogs about writing and revision/editing. Everyone seems to say that writing your first draft is the easy part and that editing is where the real work starts. I do not disagree. My police procedural, The .9 mm Solution, is being completely restructured while my dark comic Transgressive fiction, Weekend Getaways, or Adventures in Contract Killing, is getting expanded into even weirder extremes.

It is tedious and detailed work. It requires an almost re-thinking of the project, attempting to separate yourself from the original impulse that caused you to start writing the piece while at the same time not lose the spark of that impulse. Frustration can lead to satisfaction.

What I am finding as I delve into each of these disparate pieces is that there are hidden treasures, sections of description, turns of phrase, foreshadowing, interesting characters or locations. I am finding aspects of my writing that were not there five years ago, much less in my formative years. Experience in life and practice of craft do yield positive results.

Yes, the actual work of editing and revision is still fraught with fright and requires the ultimate in patience and concentration. But if we look in closer, avoid for a moment “The Bigger Picture”, those hidden treasures are our rewards and the signposts toward the completion of our work.

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